A. She shot the movie on the widest canvas possible using the same kind of equipment that captured Star Wars landscapes, and applied a muted colour grading to every frame.
B. She said last year that she wanted the ensemble film to look like “a faded postcard”.
C. Polley lends the central conversation a visual gravitas normally reserved for epics.
D. Women Talking, adapted by the writer-director Sarah Polley from Miriam Toews’s 2018 novel, is vibrant cinema.
5Q:
A. She shot the movie on the widest canvas possible using the same kind of equipment that captured Star Wars landscapes, and applied a muted colour grading to every frame.
B. She said last year that she wanted the ensemble film to look like “a faded postcard”.
C. Polley lends the central conversation a visual gravitas normally reserved for epics.
D. Women Talking, adapted by the writer-director Sarah Polley from Miriam Toews’s 2018 novel, is vibrant cinema.
- 1DABCfalse
- 2DBCAfalse
- 3CABDfalse
- 4DCABtrue
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