English рдкреНрд░рд╢реНрди рдФрд░ рдЙрддреНрддрд░ рдХрд╛ рдЕрднреНрдпрд╛рд╕ рдХрд░реЗрдВ

рдкреНрд░:

Read the given passage and answer the questions that follow.
Design has manifold applications and usages ranging from the most obvious or surface-level usages to the subtler and indirect usages that have far-reaching and deeper impact. The significance of design lies in its ability to fulfil these demands, whether aesthetic, teleological or semiotic. By aesthetics, it is broadly understood as its sensory and beauty values, i.e. Concerned with the judgment of visual taste, here it is meant as the sensory appreciation of graphic design. While by functionality is meant the practical aspects of a given graphic design such as usability, communicability, readability and making an impact. Its efficiency lies in its ability to do so. Design has function as well as some purpose. In theoretical terms the ability of design to fulfil the function or purpose is called ‘teleology’ of design. Apart from the above two, there is one more aspect of design called ‘content’ or meaning of design that can be broadly called as semiotic value of design. A simple discussion might elaborate this case. Food has taste that caters to our taste buds which is a sensory quality of food. Sometimes the colour of food is attractive therefore we like it and probably other times we get attracted towards it because it is presented in an appealing manner. Aroma, taste and decoration or garnishing cater to our sensory expectations. Food also has nutritional value that is concerned with supplying energy to the body that helps in its overall physical growth and maintenance of general health and work efficiency and at times such food may not be visually attractive. This is the teleological significance. Now if the food is cooked by a mother, sister or wife, then it has a special meaning and a highly personal significance attached to it. It may not be very nutritious or properly garnished, still the food will have its own unique significance which is the semiotic value of the food. 

Aesthetics is mainly concerned with:

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    purpose of creation
    рд╕рд╣реА
    рдЧрд▓рдд
  • 2
    usefulness of the product
    рд╕рд╣реА
    рдЧрд▓рдд
  • 3
    sensory appeal
    рд╕рд╣реА
    рдЧрд▓рдд
  • 4
    relevance of content
    рд╕рд╣реА
    рдЧрд▓рдд
  • рдЙрддреНрддрд░ рджреЗрдЦреЗрдВрдЙрддреНрддрд░ рдЫрд┐рдкрд╛рдПрдВ
  • Workspace

рдЙрддреНрддрд░ : 3. "sensory appeal"

рдкреНрд░:

Read the given passage and answer the questions that follow.
Design has manifold applications and usages ranging from the most obvious or surface-level usages to the subtler and indirect usages that have far-reaching and deeper impact. The significance of design lies in its ability to fulfil these demands, whether aesthetic, teleological or semiotic. By aesthetics, it is broadly understood as its sensory and beauty values, i.e. Concerned with the judgment of visual taste, here it is meant as the sensory appreciation of graphic design. While by functionality is meant the practical aspects of a given graphic design such as usability, communicability, readability and making an impact. Its efficiency lies in its ability to do so. Design has function as well as some purpose. In theoretical terms the ability of design to fulfil the function or purpose is called ‘teleology’ of design. Apart from the above two, there is one more aspect of design called ‘content’ or meaning of design that can be broadly called as semiotic value of design. A simple discussion might elaborate this case. Food has taste that caters to our taste buds which is a sensory quality of food. Sometimes the colour of food is attractive therefore we like it and probably other times we get attracted towards it because it is presented in an appealing manner. Aroma, taste and decoration or garnishing cater to our sensory expectations. Food also has nutritional value that is concerned with supplying energy to the body that helps in its overall physical growth and maintenance of general health and work efficiency and at times such food may not be visually attractive. This is the teleological significance. Now if the food is cooked by a mother, sister or wife, then it has a special meaning and a highly personal significance attached to it. It may not be very nutritious or properly garnished, still the food will have its own unique significance which is the semiotic value of the food. 

The practical aspects of a graphic design DO NOT take into account:

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    probability
    рд╕рд╣реА
    рдЧрд▓рдд
  • 2
    readability
    рд╕рд╣реА
    рдЧрд▓рдд
  • 3
    usability
    рд╕рд╣реА
    рдЧрд▓рдд
  • 4
    communicability
    рд╕рд╣реА
    рдЧрд▓рдд
  • рдЙрддреНрддрд░ рджреЗрдЦреЗрдВрдЙрддреНрддрд░ рдЫрд┐рдкрд╛рдПрдВ
  • Workspace

рдЙрддреНрддрд░ : 1. "probability"

рдкреНрд░:

Read the given passage and answer the questions that follow.
Design has manifold applications and usages ranging from the most obvious or surface-level usages to the subtler and indirect usages that have far-reaching and deeper impact. The significance of design lies in its ability to fulfil these demands, whether aesthetic, teleological or semiotic. By aesthetics, it is broadly understood as its sensory and beauty values, i.e. Concerned with the judgment of visual taste, here it is meant as the sensory appreciation of graphic design. While by functionality is meant the practical aspects of a given graphic design such as usability, communicability, readability and making an impact. Its efficiency lies in its ability to do so. Design has function as well as some purpose. In theoretical terms the ability of design to fulfil the function or purpose is called ‘teleology’ of design. Apart from the above two, there is one more aspect of design called ‘content’ or meaning of design that can be broadly called as semiotic value of design. A simple discussion might elaborate this case. Food has taste that caters to our taste buds which is a sensory quality of food. Sometimes the colour of food is attractive therefore we like it and probably other times we get attracted towards it because it is presented in an appealing manner. Aroma, taste and decoration or garnishing cater to our sensory expectations. Food also has nutritional value that is concerned with supplying energy to the body that helps in its overall physical growth and maintenance of general health and work efficiency and at times such food may not be visually attractive. This is the teleological significance. Now if the food is cooked by a mother, sister or wife, then it has a special meaning and a highly personal significance attached to it. It may not be very nutritious or properly garnished, still the food will have its own unique significance which is the semiotic value of the food. 

The ability of a design to fulfil the purpose is called:

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  • 1
    graphic appeal
    рд╕рд╣реА
    рдЧрд▓рдд
  • 2
    semiotic value
    рд╕рд╣реА
    рдЧрд▓рдд
  • 3
    teleology
    рд╕рд╣реА
    рдЧрд▓рдд
  • 4
    visual taste
    рд╕рд╣реА
    рдЧрд▓рдд
  • рдЙрддреНрддрд░ рджреЗрдЦреЗрдВрдЙрддреНрддрд░ рдЫрд┐рдкрд╛рдПрдВ
  • Workspace

рдЙрддреНрддрд░ : 3. "teleology"

рдкреНрд░:

Read the given passage and answer the questions that follow.
Design has manifold applications and usages ranging from the most obvious or surface-level usages to the subtler and indirect usages that have far-reaching and deeper impact. The significance of design lies in its ability to fulfil these demands, whether aesthetic, teleological or semiotic. By aesthetics, it is broadly understood as its sensory and beauty values, i.e. Concerned with the judgment of visual taste, here it is meant as the sensory appreciation of graphic design. While by functionality is meant the practical aspects of a given graphic design such as usability, communicability, readability and making an impact. Its efficiency lies in its ability to do so. Design has function as well as some purpose. In theoretical terms the ability of design to fulfil the function or purpose is called ‘teleology’ of design. Apart from the above two, there is one more aspect of design called ‘content’ or meaning of design that can be broadly called as semiotic value of design. A simple discussion might elaborate this case. Food has taste that caters to our taste buds which is a sensory quality of food. Sometimes the colour of food is attractive therefore we like it and probably other times we get attracted towards it because it is presented in an appealing manner. Aroma, taste and decoration or garnishing cater to our sensory expectations. Food also has nutritional value that is concerned with supplying energy to the body that helps in its overall physical growth and maintenance of general health and work efficiency and at times such food may not be visually attractive. This is the teleological significance. Now if the food is cooked by a mother, sister or wife, then it has a special meaning and a highly personal significance attached to it. It may not be very nutritious or properly garnished, still the food will have its own unique significance which is the semiotic value of the food. 

What is the passage mainly about?

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    Functional aspect of design
    рд╕рд╣реА
    рдЧрд▓рдд
  • 2
    Aesthetic function of design
    рд╕рд╣реА
    рдЧрд▓рдд
  • 3
    How to make food appealing
    рд╕рд╣реА
    рдЧрд▓рдд
  • 4
    Design and its varied usages
    рд╕рд╣реА
    рдЧрд▓рдд
  • рдЙрддреНрддрд░ рджреЗрдЦреЗрдВрдЙрддреНрддрд░ рдЫрд┐рдкрд╛рдПрдВ
  • Workspace

рдЙрддреНрддрд░ : 4. "Design and its varied usages"

  • рдЙрддреНрддрд░ рджреЗрдЦреЗрдВрдЙрддреНрддрд░ рдЫрд┐рдкрд╛рдПрдВ
  • Workspace

рдЙрддреНрддрд░ : 1. "AEBDCF"

рдкреНрд░:

Select the most appropriate ANTONYM of the given word.
DERELICT

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    regardless
    рд╕рд╣реА
    рдЧрд▓рдд
  • 2
    negligent
    рд╕рд╣реА
    рдЧрд▓рдд
  • 3
    vagrant
    рд╕рд╣реА
    рдЧрд▓рдд
  • 4
    careful
    рд╕рд╣реА
    рдЧрд▓рдд
  • рдЙрддреНрддрд░ рджреЗрдЦреЗрдВрдЙрддреНрддрд░ рдЫрд┐рдкрд╛рдПрдВ
  • Workspace

рдЙрддреНрддрд░ : 4. "careful"

  • рдЙрддреНрддрд░ рджреЗрдЦреЗрдВрдЙрддреНрддрд░ рдЫрд┐рдкрд╛рдПрдВ
  • Workspace

рдЙрддреНрддрд░ : 2. "ACEDBF"

рдкреНрд░:

In the question a sentence has been given in Direct/Indirect. Out of the four alternatives suggested, select the one which best expresses the same sentence in Indirect/Direct and mark your answer in the Answer Sheet.

The air hostess said that the passengers must wear face masks during the flight.

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  • 1
    The air hostess said, тАЬPassengers are wearing face masks during the flight.тАЭ
    рд╕рд╣реА
    рдЧрд▓рдд
  • 2
    The air hostess says, тАЬPassengers should wear face masks during the flight.тАЭ
    рд╕рд╣реА
    рдЧрд▓рдд
  • 3
    The air hostess said, тАЬPassengers must wear face masks during the flight.тАЭ
    рд╕рд╣реА
    рдЧрд▓рдд
  • 4
    The air hostess said, тАЬPassengers wore face masks during the flight.тАЭ
    рд╕рд╣реА
    рдЧрд▓рдд
  • рдЙрддреНрддрд░ рджреЗрдЦреЗрдВрдЙрддреНрддрд░ рдЫрд┐рдкрд╛рдПрдВ
  • Workspace

рдЙрддреНрддрд░ : 3. "The air hostess said, тАЬPassengers must wear face masks during the flight.тАЭ"

      рддреНрд░реБрдЯрд┐ рдХреА рд░рд┐рдкреЛрд░реНрдЯ рдХрд░реЗрдВ

    рдХреГрдкрдпрд╛ рд╕рдВрджреЗрд╢ рджрд░реНрдЬ рдХрд░реЗрдВ
    рддреНрд░реБрдЯрд┐ рд░рд┐рдкреЛрд░реНрдЯ рд╕рдлрд▓рддрд╛рдкреВрд░реНрд╡рдХ рдЬрдорд╛ рд╣реБрдИ

      рддреНрд░реБрдЯрд┐ рдХреА рд░рд┐рдкреЛрд░реНрдЯ рдХрд░реЗрдВ

    рдХреГрдкрдпрд╛ рд╕рдВрджреЗрд╢ рджрд░реНрдЬ рдХрд░реЗрдВ
    рддреНрд░реБрдЯрд┐ рд░рд┐рдкреЛрд░реНрдЯ рд╕рдлрд▓рддрд╛рдкреВрд░реНрд╡рдХ рдЬрдорд╛ рд╣реБрдИ

      рддреНрд░реБрдЯрд┐ рдХреА рд░рд┐рдкреЛрд░реНрдЯ рдХрд░реЗрдВ

    рдХреГрдкрдпрд╛ рд╕рдВрджреЗрд╢ рджрд░реНрдЬ рдХрд░реЗрдВ
    рддреНрд░реБрдЯрд┐ рд░рд┐рдкреЛрд░реНрдЯ рд╕рдлрд▓рддрд╛рдкреВрд░реНрд╡рдХ рдЬрдорд╛ рд╣реБрдИ

      рддреНрд░реБрдЯрд┐ рдХреА рд░рд┐рдкреЛрд░реНрдЯ рдХрд░реЗрдВ

    рдХреГрдкрдпрд╛ рд╕рдВрджреЗрд╢ рджрд░реНрдЬ рдХрд░реЗрдВ
    рддреНрд░реБрдЯрд┐ рд░рд┐рдкреЛрд░реНрдЯ рд╕рдлрд▓рддрд╛рдкреВрд░реНрд╡рдХ рдЬрдорд╛ рд╣реБрдИ

      рддреНрд░реБрдЯрд┐ рдХреА рд░рд┐рдкреЛрд░реНрдЯ рдХрд░реЗрдВ

    рдХреГрдкрдпрд╛ рд╕рдВрджреЗрд╢ рджрд░реНрдЬ рдХрд░реЗрдВ
    рддреНрд░реБрдЯрд┐ рд░рд┐рдкреЛрд░реНрдЯ рд╕рдлрд▓рддрд╛рдкреВрд░реНрд╡рдХ рдЬрдорд╛ рд╣реБрдИ

      рддреНрд░реБрдЯрд┐ рдХреА рд░рд┐рдкреЛрд░реНрдЯ рдХрд░реЗрдВ

    рдХреГрдкрдпрд╛ рд╕рдВрджреЗрд╢ рджрд░реНрдЬ рдХрд░реЗрдВ
    рддреНрд░реБрдЯрд┐ рд░рд┐рдкреЛрд░реНрдЯ рд╕рдлрд▓рддрд╛рдкреВрд░реНрд╡рдХ рдЬрдорд╛ рд╣реБрдИ

      рддреНрд░реБрдЯрд┐ рдХреА рд░рд┐рдкреЛрд░реНрдЯ рдХрд░реЗрдВ

    рдХреГрдкрдпрд╛ рд╕рдВрджреЗрд╢ рджрд░реНрдЬ рдХрд░реЗрдВ
    рддреНрд░реБрдЯрд┐ рд░рд┐рдкреЛрд░реНрдЯ рд╕рдлрд▓рддрд╛рдкреВрд░реНрд╡рдХ рдЬрдорд╛ рд╣реБрдИ

      рддреНрд░реБрдЯрд┐ рдХреА рд░рд┐рдкреЛрд░реНрдЯ рдХрд░реЗрдВ

    рдХреГрдкрдпрд╛ рд╕рдВрджреЗрд╢ рджрд░реНрдЬ рдХрд░реЗрдВ
    рддреНрд░реБрдЯрд┐ рд░рд┐рдкреЛрд░реНрдЯ рд╕рдлрд▓рддрд╛рдкреВрд░реНрд╡рдХ рдЬрдорд╛ рд╣реБрдИ