English рдкреНрд░рд╢реНрди рдФрд░ рдЙрддреНрддрд░ рдХрд╛ рдЕрднреНрдпрд╛рд╕ рдХрд░реЗрдВ
рдкреНрд░:Select the most appropriate meaning of the given idiom.
A stumbling block
772 064900c37a33e0f47b79ff632
64900c37a33e0f47b79ff632- 1Removing stones on the wayfalse
- 2Putting stones along the wayfalse
- 3An obstacle to progresstrue
- 4Skipping over a hurdlefalse
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рдЙрддреНрддрд░ : 3. "An obstacle to progress"
рд╡реНрдпрд╛рдЦреНрдпрд╛ :
"A stumbling block" is something that obstructs or hinders progress, similar to an obstacle that one might stumble over.
рдкреНрд░:Read the following passage carefully and give the answer of following questions.
Art both reflects and interprets the notion that produced it. Portraiture was the dominant theme of British painting up to the end of the eighteenth century because of a persistent demand for it. It would be unfair to say that human vanity and pride of possessions were the only reasons for this persistent demand, but certainly these motives played their part in shaping the course of British painting. Generally speaking, it is the artist's enthusiasm that accounts for the vitality of the picture, but it is the client who dictates its subject-matter. The history of national enthusiasms can be pretty accurately estimated by examining the subject-matter of a nation's art.
There is one type of subject which recurs again and again in British painting of the late eighteenth century and the jart half of the nineteenth and which is hardly met with in the jart of any other country ---- the sporting picture, or rather the picture in which a love of outdoor life is directed into the channel of sport. The sporting picture is really an extension of the conversation piece. In it the emphasis is even more firmly based on the descriptive side of painting. It made severe demands on the artist and it must be-confessed that painters capable of satisfying these demands were rare. The ability to paint a reasonably convincing landscape is not often combined with the necessary knowledge of horses and dogs in movement and the power to introduce a portrait when necessary. To weld such diverse elements into a satisfactory aesthetic unity requires exceptional ability. It is not surprising, therefore, that while sporting pictures abound in England, especially in the private collections of country squires, not many of them are of real importance as works of art. What makes the sporting picture worth noting in, a history of British painting is the fact that it is as truly indigenous and as truly popular a form of art in England as was the religious ikon in Russia.
The motives that played their part in shaping the course of British painting are
772 05f3a2205e2e6e42e42b7bf69
5f3a2205e2e6e42e42b7bf69There is one type of subject which recurs again and again in British painting of the late eighteenth century and the jart half of the nineteenth and which is hardly met with in the jart of any other country ---- the sporting picture, or rather the picture in which a love of outdoor life is directed into the channel of sport. The sporting picture is really an extension of the conversation piece. In it the emphasis is even more firmly based on the descriptive side of painting. It made severe demands on the artist and it must be-confessed that painters capable of satisfying these demands were rare. The ability to paint a reasonably convincing landscape is not often combined with the necessary knowledge of horses and dogs in movement and the power to introduce a portrait when necessary. To weld such diverse elements into a satisfactory aesthetic unity requires exceptional ability. It is not surprising, therefore, that while sporting pictures abound in England, especially in the private collections of country squires, not many of them are of real importance as works of art. What makes the sporting picture worth noting in, a history of British painting is the fact that it is as truly indigenous and as truly popular a form of art in England as was the religious ikon in Russia.
- 1the persistent demand for it and its supplyfalse
- 2the artist's enthusiasm for it and his effortsfalse
- 3human vanity and pride of possessionstrue
- 4the spirit of competition that prevailed then and the encouragement givenfalse
- рдЙрддреНрддрд░ рджреЗрдЦреЗрдВрдЙрддреНрддрд░ рдЫрд┐рдкрд╛рдПрдВ
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рдЙрддреНрддрд░ : 3. "human vanity and pride of possessions"
рдкреНрд░:Read the passage carefully and choose the correct answer to each questions.
The All India Radio,__(189)__as well as films have the __(190)___ of speeding up the process of __(191)__ awareness. National Programmes __(192)__ dance and drama on the broadcast _(193)__. Radio and Television support the __(194)_ of composite culture and exchange of __(195)__ and artistic forms between on region and another.
Fill in the blank at (190).
772 05f3a2f6a1269c22e1267f5dc
5f3a2f6a1269c22e1267f5dc- 1Capabilitytrue
- 2abilityfalse
- 3tendencyfalse
- 4Technologyfalse
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рдЙрддреНрддрд░ : 1. "Capability"
рдкреНрд░: From which of Shakespeare's plays is this famous line:" Did my heart love til now?/Forswear it, sight/for I never saw true beauty until this night?
772 063bd35b68f5b1f774c44add1
63bd35b68f5b1f774c44add1- 1A Midsummer Night's Dreamfalse
- 2Hemletfalse
- 3Othellofalse
- 4Romeo and Juliettrue
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рдЙрддреНрддрд░ : 4. "Romeo and Juliet"
рдкреНрд░: Select the option that can be used as a one-word substitute for the given group of words.
A book or paper written by hand
772 064198bd967ad957a97897519
64198bd967ad957a97897519A book or paper written by hand
- 1Editionfalse
- 2Periodicalfalse
- 3Manuscripttrue
- 4Paperbackfalse
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рдЙрддреНрддрд░ : 3. "Manuscript "
рдкреНрд░:Directions: In the following questions, out of the four alternatives, choose the one which best expresses the meaning of the given word.
EVINCE
772 062f0fa6906679c6dabc69d41
62f0fa6906679c6dabc69d41- 1recollectfalse
- 2showtrue
- 3appearfalse
- 4producefalse
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рдЙрддреНрддрд░ : 2. "show"
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рдЙрддреНрддрд░ : 2. "Atomic war and its consequences"
рдкреНрд░:Directions : In each of the following questions, some part of the sentence may have errors. Find out which part of the sentence has an error. If a sentence is free from error, select No error
His need for affection (1)/ stem from his (2)/fatherтАЩs long absence. (3)/ No error (4)
772 0634013a93de0003a7472990c
634013a93de0003a7472990c- 11false
- 22true
- 33false
- 44false
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